Thiruvananthapuram,
Oct 29: Eminent
filmmaker and spearhead of Iran’s cinematic renaissance Dariush Mehrjui is the
recipient of the International Film Festival of Kerala’s (IFFK) ‘Lifetime
Achievement Award’ this year.
Chairman, IFFK 2015 advisory committee, Shri
Shaji N. Karun made the announcement at Thursday’s meeting to form the
festival’s ‘Organising Committee’.
At the van of the Iranian New
Wave movement of the 1970s – one of the most enduring and influential of modern
film ‘waves’, Mehrjui introduced hitherto little-explored cinematic themes and
narratives. Infused with a heady mix of realism and symbolism, his films helped
foster the development of arthouse sensibilities among a fast-maturing cinema
audience.
After debuting with the unsuccessful Diamond 33 (1966), a big budget parody
of Bond films, Mehrjui found acclaim and recognition with Gaav (The Cow, 1969), which is considered the first film of the wave.
A metaphorical drama about an aged villager and his attachment to his prized
cow, the film was adapted from a short story by Iranian literary giant
Gholamhossein Sa’edi.
Though dealing with subjects of near
universal appeal – his films find kinship with the works of Roberto Rosselini,
Vittorio de Sica and Satyajit Ray, his oeuvre possess a distinctively Iranian
flavour in part because they were mostly inspired by or adapted from Iranian literature
and plays.
Banned for more than a year by the
Ministry of Culture and Arts, Gaav was
denied an export permit even after domestic release in 1970. It was smuggled
out of Iran in 1971 and submitted to that year’s Venice Film Festival. Though
screened without subtitles, it became the biggest hit of the festival.
In 1973, Mehrjui began shooting what is
considered his magnum opus, The Cycle (1975).
An unsparing look inside the illicit trade in blood donations amid the poverty
and despair of the country’s shanty-towns, it was Iran’s first submission for
Best Foreign Language Film at the 50th Academy Awards in 1977. The film was
banned for three years before being released in Iran in 1978.
In the 1990s, he turned his critical lens
onto the discontents of contemporary Iran. His disillusionment with the Islamic
Revolution’s shift from politics to dogmatism is reflected in Hamoun (1990), while The Pear Tree (1999) was an examination
of Iran’s new bourgeoisie.
Mehrjui will be feted at the IFFK 2015
inaugural ceremony. A cash prize of Rs 5 lakh accompanies the citation.
IFFK 2015, Kerala’s premier film
festival, will run from December 4 -11.
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